Wednesday, 1 February 2017

How to become French - Part 4

Today I acquired my official documentation as a new French citizen. Administratively it's useful but psychologically it's a great disappointment.

Unlike some prefectures here in France and cities in NZ there is NO ceremony at all at Chartres. There's no event where a group of new citizens are welcomed by the Mayor; where there's a sense of solidarity and celebration and where friends and family can participate. Zip.

I mentioned my disappointment to JC but he just said "What does it matter? At least it's official. French people don't make a big song-and-dance about things like Anglo-Saxons." Somehow that didn't make me feel better. I wanted some warm fuzzies.

I received a message to turn up at a certain time on a certain day, which was impossible for me to do as I can never take time off work in my current job. JC had to make a phone call and plead for a change of day on my behalf. Changing the system is no small ask.

Today I walked past the horrid little man there who had delighted in making my life shit each time I had to renew my titre de sejour. I would never have to be at his mercy again.

I stood up at a tiny counter and handed over my required documents to the lady responsible for making this final document exchange. She apologised for not knowing me at all but the system is spread over various parts of France now and my prefecture has no part in it except to hand over today's documents.

After explaining each document in the little folder and obtaining my signature we shook hands and I walked out.


Inside the folder were the following documents:
  1. A letter from the Prefecture of Chartres for my local mairie in exchange for a national identity card (already requested by me)
  2. Letter signed by Manuel Valls (Prime Minister) and Bernard Caseneuve (Minister of Internal Affairs) confirming the decret making me a French citizen
  3. A letter signed by Francois Hollande (President of the French Republic) welcoming me and reminding me I have responsibilities, I am considered an EU citizen as well.
  4. A copy of my birth certificate (French version)
  5. Copy of my first marriage certificate (French version and divorce details)
  6. Copy of my second marriage certificate (contains divorce details too)
  7. List of rights and responsibilities as a French citizen
  8. Copy of the Marseillaise (French National Anthem), very pretty
  9. Copy of the Declaration of the Rights of Man 1789 (equally pretty)
  10. Copy of the constitution of 4 October 1958 extracts only
I'm very happy to have all that and am relieved I can't be thrown out of France but in reality naturalisation isn't making it any easier for me to find work so I can stay. I try to comfort myself with the knowledge that at last I have achieved my dream, even if it proves temporary. I do love France, despite its quirks and illogical difficulties. My soul is quite at ease here. To all those who have in any way contributed to today's success, my heartfelt thanks.

And Thank You France!

Now on to getting my identity card which enables travel throughout Europe, and my French passport enabling travel anywhere else. In the meantime I can use my kiwi passport while I wait. I do think in this globalised world it's important to have options at either end of our planet for better or for worse.
I can finally close the 'dossier' which has taken 6.5 years to complete.



















Saturday, 21 January 2017

Shakespeare's Globe theatre - with a kiwi twist

At Southwark, on the banks of the Thames in central London is a modern reconstruction of the Globe Theatre, famous as a venue for Shakespeare's plays in the 16th and 17th centuries. In fact, the current version is only metres away from the site of the original Globe.

It's as faithful a reproduction as they can get, working from available records and it houses a small museum and gift shop. It really is worth a visit and if you are staying a few days it's worth considering attending a play there. I couldn't as my time was spoken for and the plays on offer weren't my favourites but the guided tour was very interesting.

On 29 June 1613 the Globe Theatre went up in flames during a performance of Henry VIII. A theatrical cannon, set off during the performance, misfired, igniting the wooden beams and thatching.
The Globe was closed down by the Puritans in 1642. It was demolished in 1644-45 to make way for tenants.

Today it is the only building in central London permitted to have a thatched roof, which is hardly surprising given the way the orginal was destroyed and then the Great Fire of London of 1666 which spread from thatched roof to thatched roof and burned for three days.

This  reconstruction of the theatre, named "Shakespeare's Globe", opened in 1997, with a production of Henry V. It is an academic approximation of the original design, based on available evidence of the 1599 and 1614 buildings, and is located approximately 230 m from the site of the original theatre.
 Many of its patrons would have stood for the entire performances (lasting hours) or hired cushions for the ground or wooden benches back in Shakespeare's day. He was one of a handful of men who had shares in the theatre and most of his more popular plays were performed there. He was also an actor. The circular form gives good sight-lines in most cases and the acoustics are good.

In 2010 the Play Henry VIII was once again performed here but this time there were no fires. The rebuilding of the iconic building stems from the founding of the Shakespeare's Globe Trust by the pioneering American actor and director Sam Wanamaker. He died just short of seeing his project completed.

I enjoyed the museum. It shows a timeline of Shakespeare's achievements along with historical events. There is also a lovely display of typical Elizabethan clothing, including fotheringays, genuine musical instruments from this period and vocabulary created by the bard which have entered into our vernacular. There are interesting models of London of the period as far as one can tell as 80% of the city was later destroyed.

New Zealand has some truly passionate Shakespeareofiles. So much so that a group of embroiders and textile artists decided to create stage hangings for the new reconstruction. Ten years later and just in time for the official opening the four hangings were completed, toured a few countries and have found their home in the Globe's lower ground floor display area.

One of the hangings depicts Atlas holding up the world. New Zealand is clearly picked out in the embroidery even though in Elizabethan times NZ was unknown. Check out the photo below.



In February 2016, a temporary full-scale replica of the Second Globe Theatre, called Pop-up Globe and based on scholarly reanalyses of the surviving evidence for the 1614 building, opened in downtown Auckland, New Zealand and presented a three-month season of Shakespeare's plays performed by a house company.



Wednesday, 11 January 2017

Warwick Castle - lively history on the Avon

Inside some of us there is someone who dreams of adventures, knights and history-making events. As a child I was far more interested in reading boys' adventure books than the prissy offerings for most girls so it's not surprising I enjoyed what this castle has to offer.

Time was limited duing my few days in England but at least I got to sample Warwick Castle which, these days, is well and truly set up to nourish such dreams in young and old alike.
This castle on the banks of the Avon River has 1100 years of history from when the daughter of Alfred the Great first built there until now when Merlin Entertainment purchased it from Madame Tussauds.


The Tussauds era is still evident as many manequins and set-pieces remain to illustrate moments and personnages in history including Winston Churchill, Henry VIII, and life in the Middle Ages.
I was impressed by the original carved panelling on one of the old bedrooms. It's so detailed and atmospheric.
Warwick Castle was owned by the Kingmaker Richard Neville during the Wars of the Roses until he was executed. It was in the Beauchamp family for generations before that and later the Grevilles, Dudleys, Plantagenets. There must have been a great amount of political and military intrigues happening within its walls - if only they could speak.

Warwick Castle is home to one of Europe's largest seige machines. It's an example of a Trebuchet which would have been used in laying seige to castles in former times. The day I was visiting I just managed to arrive at the clearing as staff fired a flaming ball high in the air. They only fire once, unfortunately; blink and you miss it and the audience is usually quite a distance away, for safety reasons.

Throughout the grounds there are activities for families, such as archery practice and watching the hunting birds performance. We were told that one experienced eagle decided not to follow instructions and return home. It decided to go hunting on it's own and found a sheep so from then on it couldn't be trusted. Its son is now performing on a 'short invisible leash of rules and disciplines'.

I enjoyed the costumed staff and watching various themed activities but there was no time to see all or do justice to anything. My advice would be to make a visit of almost a full day. It's accessible by train from London. You can stay overnight in a castle bedroom if you wish as the owners cater for accommodation, events and tourist events. They have different themed activities happening throughout so check out their website for specific details.
https://en.wikipedia.org/wiki/Warwick_Castle
https://www.warwick-castle.com/

You need to allow as much time exploring the inside of the castle as the exterior. There may be guided tours of the property but on my Marcus Evans day trip we were left to our own devices for 1.5 hours, hopelessly inadequate to see or appreciate much. I advise at least three hours there. You can always find find things to eat and buy.


































Sunday, 25 December 2016

Hampton Court Palace - fit for Tudor aspirations

Some kilometres out of London is an ex-royal palace brimming with history and tales of notable monarchs such as Henry the Eighth. Built around 1515 by Thomas Wolsley, Archbishop and advisor to King Henry VIII it was gifted to the king in the hopes of renewing waning favour. It didn't work. Henry had him arrested and he died of natural causes before he could be executed. Hampton Court is one of only two remnants of more than 60 royal palaces and houses that were used by Henry in his day, which have survived. The second remnant being Lambeth Palace which isn't open to the public and which has little more than the gatehouse remaining.

It was here that Henry's only son was born and also here that his third wife Jane Seymour died after giving birth to the future Edward VI. The tudor influence has been greatly diminished by monarchs William and Mary who demolished half the Tudor palace before they died.

You can easily distinguish the two architectural styles; the Tudor in rose-red bricks with black markings and elaborate chimney stacks, and the Baroque in plain pink bricks with white details. Henry built a hammerbeam Great Hall which still stands today. It's wonderful to look up at the workmanship and imagine the Tudor goings-on during meal-times and events.


After Anne Bolyn was executed the king ordered any references to her expunged but in one corner of this place they missed one and you can clearly see the initials of Henry and Anne.  There's an astrological clock that was installed during Henry's time. Incredibly it still accurately works after 500 years. It shows the time, the phases of the moon, star signs and high tide at London Bridge near the Tower of London, a key royal residence. One can marvel at the quality of ancient technology.

None of Henry's gardens remain but there are knot gardens outside a Tudor wing in the style. It's more of a kitchen garden really. The other garden areas are more modern and impressive.
A horticultural oddity is The Great Vine, planted in 1769. Incredibly it still gives a good harvest of grapes which are sold at the palace. I can't vouch for the flavour though.



 The day I visited there was an exhibition of beautifully crafted objects in very fine white paper. Representations of food and table decorations as well as period costumes were displayed in several rooms. They were quite exquisite and I couldn't imagine how they had been crafted. The interiors of the palace have some impressive contents but it lacks charm for its sheer size. It's easy to get lost here so allow at least 2-3 hours to explore inside and out. For more information go to http://www.hrp.org.uk/hampton-court-palace/#gs.PD9eYZc and also https://en.wikipedia.org/wiki/Hampton_Court_Palace