In an old
nineteenth century schoolhouse at Fernside, Canterbury is a woman and her quilting
studio providing consolation, celebration and inspiration for fellow New
Zealanders and overseas clients. Patchworks, quilts, bags and special
commissions all jostle for Verina Thirlwell’s passionate attention. The
rhythmic clonk and whirr of the Bernina sewing machine is stitching together
thoughts, feelings and hopes in a way that heals, excites and creates community.
She listens
to others people’s hurt and needs and allows her creativity to guide her in
creating unique stitched items that give joy. It’s a magical place.
Patchwork
and quilting are increasingly popular in New Zealand but few quilters achieve the
results Verina does.
Patchwork
is a work, such as a blanket, composed of many different colours and shapes, sewn together to make an interesting
whole.
Quilting
is patterned stitching creating bed coverings, art wall hangings, clothing, and
a variety of textile products. It can be done by hand, via a sewing machine, or
by a specialized long-arm quilting
system.
The
process
Fabric, or
patchworks, brought to Verina’s quilting studio is laid out on the work bench and
there follows a discussion on quilting styles, patterns and variables. The client
usually chooses the backing they want. Verina then
sketches up a design and provides a timeframe. Most clients leave the creative
process to her and are then presented with the finished work of art.
Layers are built up while seeking balance
in the composition. Where memory quilts are concerned, rather than bed quilts,
she adds trims or decorative stitches. She adds depth and texture to the work
by adding in hand embroidery or hand quilting. This can emphasise a special
piece that has major importance as the eye is drawn to the detail.
What she
enjoys the most is being given free rein on the style of quilting but it is the
joy on a client’s face that is the most satisfying aspect for Verina.
“That’s
exactly what I wanted. You’ve done the impossible- turned a sow’s ear into a
silk purse,” enthused a happy client.
Another
said “I wanted a stitchery. Verina’s talent adds value to my work. She’s
consistent, reliable and she makes sure her quilting never takes over my
stitchery.”
Sometimes
she receives special commissions where she has to create the patchwork and then
quilt it. Her service might extend to going shopping with clients to find
suitable materials that they like but 95% of the time clients bring in their
own patchworks to be quilted.
Clients
come mostly from Canterbury, but also further afield from Marlborough/Nelson,
the North Island and even Indonesia.
Making
memorial cushions
These very
special, unique designs are constructed from elements supplied by customers,
which are sentimental and hold great meaning, often being representative of
loved ones who have died.
Firstly, Verina lays out the fabrics,
trims, buttons, beads and any other materials to cover a foundation fabric. She
usually collects the materials first before thinking of the design. If the
cushion is a collaboration between her and the client, they discuss the
collection of elements and their significance and importance they have. She
then sketches a design and provides a timeframe. Verina employs her creative
processes and later presents them as the finished work.
Quite a number of clients appreciate the
tactile connection they gain through hugging memorial cushions. The fabrics
used all have special meaning; designs can recall past happy times, and
personal embellishments such as beads and jewellery bring memories of the
departed back into everyday life.
Men enjoy receiving a personalised
cushion for birthdays or retirements, or perhaps recognising a special
achievement.
A
haven of tranquillity
The studio has been described as a refuge
and retreat for those who have had trauma in their lives. A calm atmosphere
pervades there that has nothing to do with Verina. No doubt it’s the rural
setting, the sense of history and continuation which seeps from the walls of
the old Springbank schoolhouse.
There’s even a pair of chairs and an art
deco daybed near the gas fire, intended as an area to sit and host clients but
often the space is filled with works in progress or completed items awaiting
collection.
Confidentiality is important and clients
know that they can be open and free to say what they want, without judgement.
Verina’s empathy encourages clients to open up about what matters to them in
each commission, large or small. Sometimes grief takes time to evolve to a
point where clients feel ready to have clothing from the departed made into a
quilt. The finished quilt can turn grief into joy and celebration of a life
well-lived and person well-loved.
The studio is also the venue for quilting
classes. Twice weekly 6-8 students learn the art of quilting. The trusty
Bernina sewing machine is always ready to go and there’s plenty of space on the
large cutting table. Some students consider their lessons life-savers. The
meetings give members something to look forward to, therapy and good company.
The schoolhouse was also the venue for a
group of volunteers who, led by Verina, gave of their time and money to produce
a great many charity patchwork quilts to give to the families of the Mosque attack
victims in Christchurch 2019. Waltham School distributed them.
The quilting studio is the main focus of
the business but Verina also enjoys the more creative side of using old
clothes, doilies, laces and trims to make something beautiful; be it a cushion,
sewing case, or to decorate an item of clothing. The latter work is fiddly and
will probably never supersede the quilting but she’ll take on almost anything.
Creative
challenges
Recently she accepted a new challenge:
working on a large tapestry from France. It had been unmounted, dry-cleaned and
posted to NZ, which had pulled it out of shape. It needed to be turned into a
wall hanging in a French-styled house in Canterbury. Verina went so far as to
pin it to the carpet in her dining room, blocked out as squarely as possible,
while it dried back into shape. It was then lined and made ready to take pride
of place in the client’s home, reminding her of her love of France and French
history.
This talented seamstress created a teddy
bear for a young girl, from the girl’s departed grandmother’s dressing gown.
She added photographs on fabric of the girl and her grandma to the paw pads for
a special touch. The finished result impressed the girl’s parents and moved the
little girl emotionally as now she can cuddle and talk to the bear in a
spiritual connection with her Grandma.
Verina once made a teddy bear for a
wedding that was made from scraps of the wedding dress she had made for a
client. Beaded and embroidered, he sat on the back shelf of the bridal car and
then on the cake table.
Quilts
can be very happy celebrations too
The birth of a new baby, or a birthday or
wedding anniversary can be the inspiration for a new quilt.
Quilts are also made to be read, to
inspire and to express feelings: handwritten comments can be added to the
fabric. Bags are quilted and beaded for weddings or special anniversaries.
Verina even created a unique quilt for herself to celebrate her own 50th
birthday. She requested family and friends to send her a patchwork block or piece
of fabric rather than a card or present. The resulting memories sewn into the
quilt remind her how blessed she is to have such lovely people in her life. The
range of fabrics, blocks and feelings were as varied as her friends and
continue to give her great delight.
Perhaps we should all have a memories box
where we can put special objects away, and when we have enough, send them off
to be turned into wonderful remembrances as quilts, bags, table linen and clothing.
It puts a new turn on reuse or recycle but these beautiful objects can become
family or personal heirlooms and give joy for decades to come.
Verina’s journey
Verina made
her first patchwork when she was just 12 years old. Maybe it was encouragement
from her granny who was a tailoress. She started with English paper piercing
which consists of hexagonal paper templates and is very traditional. Nowadays
almost anything goes.
Her work
evolved into patchwork shapes to make a ‘block’. Blocks are repeating patterns,
like tiles. What she once did with hand stitching is now done by machine.
Verina
trained as an early Childhood Educator and spent 35 years mostly helping
special needs children. She was quilting part time but eventually she left
teaching and its mountain of paperwork to spend more time exploring her
creative talents. She invested in an old quilting machine and has never looked
back.
https://www.facebook.com/Just4youquilting/
Photographs courtesy of Frances Harrison and
Verina Thirlwell